betrayal at krondor distressed in the extreme

BETRAYAL AT KRONDOR DISTRESSED IN THE EXTREME MOVIE

A fight ensues, in which Jason kills Buck using the ceremonial knife.Īfterwards, Jason reassures Keith that he will 'come back from this,' to which Keith responds 'None of us will.' That's an interesting sentiment, but it exists only in the dialogue. The villain himself appears, and threatens not only to continue raping Keith, but also to rape Jason as well. There he finds that his friend, Keith, has been brutalized by Buck. Having jumped through the usual mission-based hoops, Jason is at last invited to bring the knife to Buck's place. This brings us back to Buck and the ceremonial knife. Nonetheless, audiences approved of the sequence, no doubt because it ends with the rapists receiving their just reward. This sequence is, if anything, even more shocking in its content than the 'Buck' sequence in Kill Bill Vol. Marsellus promises to 'get medieval' on the surviving rapist, whom he has already shot in the groin. An even more extreme example of the motif appeared in Pulp Fiction, where the gangster Marsellus Wallace suffers a homosexual rape before his attackers are killed and wounded. This was not the first time Tarantino had used a rape-revenge motif, of course.

I merely want to point out that even an audience one would expect to object most loudly to a humorously-intended rape scene in a film accepted that scene primarily because the victim was able to take revenge.

I won't pretend to be able to resolve the question of whether rape-revenge motifs are empowering or not. Far from being a distressing scene to watch, I felt a sense of triumph.Īmy Tucker identifies this moment, and the film's revenge motif more broadly, as a ' post-feminist look at the damsel in distress,' in which the female protagonist, though physically weakened, uses her wits and skill to punish her attackers. Without going into too much detail, she kills the bastards.

BETRAYAL AT KRONDOR DISTRESSED IN THE EXTREME MOVIE

However, for those of you who are now put off seeing the movie because I mentioned the words 'rape scene,' don't worry-it's not as bad as you might think. In a review for The F Word, Aideen Johnston puts it succinctly: To the extent that it's humorous, it's not at the victim's expense, but it still made many viewers uncomfortable, even angry.Īt the same time, many responses felt the scene was acceptable because Kiddo murders her abusers. This is a scene that has inspired a complex set of reactions, because it operates as a kind of rape joke, in which the punchline is the mundane way both Buck and his 'customer' treat the degradation of another human being. 1 in which the comatose Beatrix Kiddo is raped by an orderly named Buck and men who pay him. When Jason first learns of Buck from an ally, he responds by referring to the sequence in Kill Bill Vol. That's how these games work, and Far Cry 3 is relentlessly conventional in that respect. Since Jason needs the knife for another purpose, it is obvious from the beginning of the adventure that he will come away from Buck's tasks with both friend and knife.

As it happens, he presently 'owns' one of protagonist Jason Brody's male friends, and will exchange him if Jason retrieves a ceremonial knife originating from the treasure ships of Zheng He. Apparently employed by the game's big bad, Hoyt, Buck has an interest in men, and in ancient Chinese artifacts. Spoiler Alert: This article contains spoilers for Far Cry 3.īuck is a peculiar hitman in Far Cry 3.

Betrayal at krondor distressed in the extreme